Marlowe and Faustus
("Borrowed" from a page which used a rather illegible type:  View Source )

  1.The Faustus story is an old German tale, perhaps based in an historical person. It was popularized as The Faust Book, a 1587 English translation of a German compilation.

   2.It is, of course, the famous and still popular tale of "the man who sold his soul to the devil." See Damn Yankees for a modern, musical parody.

   3.Faustus is also a type, to some degree, of "the Renaissance Man." Bold, a seeker, willing to ask dangerous questions, not happy with the old answers and traditions. Luther, Galileo, Machaivelli, Francis Bacon, etc.

  4.The play contains many elements of the medieval drama, especially the Morality Play.

        a.the chorus (doctor?) narrator
        b.pageant of the Seven Deadly Sins
        c.Temptation, Salvation, Damnation of mankind
        d.the entertaining, comical Vice (or devil)
        e.concern with ultimate spiritual issues
        f.crude, farcical humor grafted on to solemn story

   5.Christopher Marlowe (1564-1693)

        a.a contemporary of Shakespeare (born the same year)
        b.popular (like Shakespeare) and learned (unlike Shakespeare)
        c.famous for his "Over-reacher" heroes (Tamburlaine, Barabbas, Edward II)
        d.accused of "atheism"; died in a barfight at 29.
        e.the question of his sympathies for his heroes?

   6.Questions about Doctor Faustus

        a.Is Faustus a hero? In what ways do we admire him?
        b.What is the purpose in the work of Wagner?
        c.How is the character of "Old Man" an echo of "Everyman"?
        d.How does Marlowe make us sympathize with Mephistophilis?
        e.For all his bold claims and desires, how does Faustus misuse his "days of power"?
        f.What are the obstacles for a modern audience’s understanding/appreciation of the play?