Dr. L. Adam Mekler 
English 418: Shakespeare
Spring 2024

Office:  Holmes Hall 228
Office Phone: (443) 885-4032
Go To Assigments For:
Jan/Feb Mar Apr May

Any revisions to this syllabus will be posted on Canvas class page. Please check the class page regularly for any announcements, especially if you have missed class.

Required Texts: PURPOSE OF THE COURSE:

The Renaissance, or Early Modern Period, was a time of enormous political, economic and social change. Ideas which lay at the heart of the Renaissance marked the true beginning of modern philosophy. These tenets, based largely on the value of an individual’s mind, body and soul, challenged religious and political authority. In this course, we will explore how the major literary artist of the time, William Shakespeare, addressed the many questions which arose in light of these new ways of thinking.

OBJECTIVES:

All papers will follow MLA format: Typed, double-spaced, use parenthetical citations and, when necessary, a list of works cited, including references made to primary sources. (Sample MLA-style papers can be found in Canvas)  The main point of the response papers is to allow you the opportunity to explore specific aspects of texts that you find interesting in terms of the major themes and issues we discuss. More specific guidelines will be found in Canvas.

English 418 aims to teach students to:

STUDENT LEARNING OUTCOMES:
After completing English 418, students should be able to:
  1. evaluate the influence of historical and biographical events on Shakespeare's writings.
  2. analyze the texts discussed in the course in terms of representative themes.
  3. distinguish between different texts in terms of their aesthetic, political, and philosophical viewpoints.
  4. produce effective arguments, in both oral and written forms, regarding Shakespeare's writings, incorporating relevant critical theory.
ASSESSMENT:
Student learning will be assessed using the following assignments:

GRADING:
  • Class Participation
  • Critical Response Paper
  • Midterm Exam
  • Student Presentation
  • Research Paper
  • Final Exam
  • 20 %
  • 10 %
  • 20 %
  • 10 %
  • 20 %
  • 20 %
A: 90-100
B: 80-89
C: 70-79
D: 60-69
F: 0-59
COURSE POLICIES:

Attendance. Students are expected to attend every class. If you are forced to miss class, written verification for the reason for your absence is expected. Because of the importance of regular attendance, excessive (more than three) unexcused class absences will result in the loss of points from the final average. Excessive lates will also lower your grade. The complete attendance policy can be found on the class homepage . Please come speak with me if you have any questions.

Reading Assignments, and Participation.  All assigned readings must be completed before coming to class. Please keep in mind that students are expected to read the editorial introduction to each work. You are expected to arrive prepared to provide thoughtful discussion of the daily readings, including the editorial introductions, responding to questions from the instructor or your classmates as they arise.  Classroom discussion will involve the open sharing of ideas and interpretations of the literature.  Because every person's opinion is valid, we will demonstrate civility and respect for each other, taking turns to provide our observations and not interrupting each other.  Only raised hands will be acknowledged.

Writing Assignments. There will be one (1) brief (800-word minimum) critical response paper, in addition to one (1) documented research paper (3000-word minimum), using a minimum of six documented secondary sources.

All papers will follow MLA format: Typed, double-spaced, use parenthetical citations and a list of works cited, including references made to the textbook (Sample MLA papers can be found in Canvas).  The critical response paper will require you to provide an analysis of a critical biography of William Shakespeare. A list of acceptable titles will be provided. The main point of the research paper is to allow you the opportunity to explore specific aspects of one of the plays we have discussed up until that point, focusing on the major themes and issues we will have discussed. The specific focus, though, is largely up to you.

Oral presentations. Students will also take part in a presentation of a minimum thirty minutes. These presentations will require the students to discuss the relationship between the published version of a given play and a dramatic production of that play, and must incorporate critical commentary on the play as well. Your ability to provide thoughtful responses to questions from your classmates and/or instructor will also be an important component of your grade.

American with Disabilities Act: If you require an accommodation due to a disability, please contact the Office of Student Disability Support Services (SDSS) to register. More information regarding the intake procedure can be found on the SDSS website: http://www.morgan.edu/SDSS. It is your responsibility to request an accommodation from SDSS before or at the beginning of the semester.

Reading List (Subject to Subtle Revision):
Jan 17
Course Introduction

19
Greenblatt, Norton Introduction, 1-41
"Shakespeare's World"
"The Playing Field"

22
Greenblatt, Norton Introduction, 41-72
"Shakespeare's Life and Art"
"The Dream of the Master Text"

24
Greenblatt, Norton Introduction, concl.

26
Sonnets: 1, 3, 18, 20


Histories

29
I Henry IV, Acts 1-2

31
I Henry IV, Acts 3-5
Feb 2
I Henry IV, concl.

5
Henry V, Acts 1-2

7
Henry V, Acts 3-5

9
Henry V, concl.

12
Richard III, Acts 1-2

14
Richard III, Acts 3-5

16
Richard III, concl.


Comedies

19
Midsummer Night's Dream, Acts 1-2

21
Midsummer Night's Dream, Acts 3-5

23
** Wellness Day: No Class **

26
Midsummer Night's Dream, concl.

28
The Merchant of Venice, Acts 1-2
Mar 1
The Merchant of Venice, Acts 3-5

4
The Merchant of Venice, concl.

6
Midterm Examination

8 Discussion of Critical Response Paper

11
Twelfth Night, Acts 1-2 

13
Twelfth Night, Acts 3-5

15
Twelfth Night, concl.

18-22 ** Spring Break: No Class **

25 All's Well That Ends Well, Acts 1-2
Critical Response Paper Due

27
All's Well That Ends Well, Acts 3-5

29
All's Well That Ends Well, concl.
Research Paper Topic Due


Tragedies
Apr 1
Romeo and Juliet, Acts 1-2

3
Romeo and Juliet, Acts 3-5

5
Romeo and Juliet, concl.

8
Hamlet, Acts 1-2

10
Hamlet, Acts 3-5

12
Hamlet, concl.
 Deadline to Have Research Paper Topic Approved

15
Macbeth, Acts 1-2

17
Macbeth, Acts 3-5

19
Macbeth, concl.

22
King Lear, Acts 1-2

24 King Lear, Acts 3-5

26
King Lear, concl.


Romance

29
The Tempest, Acts 1-2
**Graduating Seniors: Research Paper Due**
May 1
The Tempest, Acts 3-5

3
The Tempest, concl.
** Graduating Seniors: Deadline to take Final Exam and Submit Any Work or Excuses for the Semester **

6
Sonnets: 73, 116, 130, 144

8
Final Review

10
Research Paper Due on Canvas by End of Business
Last Day to Submit Assignments other than the Research Paper

13
Final Exam (subject to change)
Last Day to Submit the Research Paper

Secondary Texts (e-books):

Other Secondary Texts:

  • Baker, David J., and Willy Maley, eds. British Identities and English Renaissance Literature. Cambridge: Cambridge University Press, 2002.
  • Bloom, Harold.  Shakespeare: The Invention of the Human. New York: Riverhead, 1999.
  • Brown, Georgia. Redefining Elizabethan Literature. Cambridge: Cambridge Univ. Press, 2004.
  • Burton, Jonathan, and Ania Loomba, eds.  Race in Early Modern England: A Documentary Companion. New York: Palgrave Mcmillan, 2007.
  • Callahan, Dympna, ed. A Feminist Companion to Shakespeare (Blackwell Companions to Literature and Culture) Malden, MA: Wiley-Blackwell, 2005.
  • Dusinberre, Juliet. Shakespeare and the Nature of Women. 3rd. Ed. New York: Palgrave Mcmillan, 2003.
  • Fernie, Ewan et al. Reconceiving the Renaissance: A Critical Reader. New York: Oxford, 2005.
  • Fiedler, Leslie.  The Stranger In Shakespeare: Studies in the Archetypal Underworld of the Plays.New York: Barnes and Noble, 2006.
  • Garber,Marjorie. Shakespeare After All. New York: Anchor, 2005.
  • Garner, Shirley Nelson, and Madelon G. Sprengnether, eds.  Shakespearean Tragedy and Gender. Indiana University Press, 1996.
  • Goldberg, Jonathan. The Generation of Caliban. Ronsdale, 2002.
  • Greenblatt, Stephen. Renaissance Self-Fashioning: From More to Shakespeare. Chicago IL: Univ. of Chicago Press, 2005.
  • ---. Tyrant: Shakespeare on Politics. Norton, 2018.
  • ---. Will in the World: How Shakespeare Became Shakespeare. New York: Norton, 2005.
  • Hall, Kim. F., ed.  Things of Darkness: Economies of Race and Gender in Early Modern England. Ithaca, NY: Cornell University Press, 1998.
  • Harris, Jonathan Gil. Shakespeare and Literary Theory. Oxford, UK: Oxford University Press, 2010.
  • Hattaway, Michael, ed. A Companion to English Renaissance Literature and Culture.: Oxford Blackwell, 2003.
  • ---. Renaissance And Reformations: An Introduction to Early Modern English Literature. Oxford: Blackwell, 2006.
  • Jorgensen, Paul A., ed. Women, Violence and English Renaissance Literature: Essays Honoring Paul Jorgensen. Phoenix AZ: Arizona Center for Medieval and Renaissance Studies, 2003.
  • Loomba, Ania. Shakespeare, Race, and Colonialism. New York: Oxford University Press, 2002.
  • --- and Martin Orkin, eds.  Post-Colonial Shakespeares . New York: Routledge, 1998.
  • MacFaul, Tom.  Problem Fathers in Shakespeare and Renaissance Drama. Cambridge, England: Cambridge University Press, 2012.
  • Mullaney, Stephen.  The Place of the Stage: License, Play, and Power in Renaissance England. University of Michigan Press, 1995.
  • Rackin, Phyllis.  Shakespeare and Women. New York: Oxford University Press, 2005.
  • Schwartz, Murray, and Coppelia Kahn, eds.  Representing Shakespeare: New Psychoanalytic Essays. Baltimore, MD: The Johns Hopkins University Press, 1982.
  • Vendler, Helen. The Art of Shakespeare's Sonnets. Cambridge: Harvard UP, 1997.
  • Wayne, Valerie.  The Matter of Difference: Materialist Feminist Criticism of Shakespeare. Ithaca, NY: Cornell University Press, 1991.
  • Wells, Stanley, and Michael Dobson. The Oxford Companion to Shakespeare. Oxford, UK: Oxford University Press, 2009.
  • White, R. S. Natural Law in English Renaissance Literature. Cambridge: Harvard UP, 1996.

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