English 315

Second Day Discussion:

On Board:

Writers:
WW 1770







1850
STC
1772





1834
Byron

1788



1824

PBS


1792

1822


Keats



1795 1821



(Blake) 1757





1827

MWS



1797



1851
Austen

1775



1817



Events/Works:
1789 July 14: Fall of Bastille Blake's Songs of Innocence
1790
Burke's Reflections


W's Vindication
1791 Louis XVI Arrested Paine's Rights of Men
1792 September Massacres
1793 Jan 21 Louis XVI guillotined Blake's Songs of Experience

Feb 1: War declared on England

July 13 Marat assassinated

Oct 16 Marie Antoinette g'd
1794 July 28 Robespierre guillotined
1797 Santo Domingo Revolt Begins
1798
WW & STC, Lyrical Ballads
1799  Nov: Napoleon becomes 1st Consul

Revolution declared Over
1802-1803 Peace of Amiens
1804 Napoleon crowns himself Emperor

Haitian Independence
1805 Oct 21: Battle of Trafalgar
1807 Abolition of Slave Trade
1814 Oct 30: Congress of Vienna opens
(ends Jun 9, 1815)

1815 Jun 18: Battle of Waterloo
1819
Peterloo Massacre

1820
Death of George III, Accession of George IV

1832
First Reform Act

1833
Abolition of Slavery in all British Territories

Concepts:


Discussion:

Introduction is potentially overwhelming, provides a very broad base for the examination of some of the most important issues influencing and being addressed by the writers of the time.

The most important point, of course, is repeated in different ways throughout the introduction.  The great majority (if not all) of the writers, regardless of their subject, or genre, or background, feel an irresistible sense of occupying a place in history.

For that reason, I thought we might spend a little time considering some of the more significant events mentioned in the introduction.  I have placed links off the webpage for many of the allusions, though, perhaps with the exception of those for the French Revolution, most of the links do not discuss their subjects in very great detail, and I certainly encourage you to further investigate as you see fit.

You may also find it useful to refer back to the introduction at various points in the semester to consider again the more specific contexts that may have influenced a particular work.

Enlightenment sense of self:  power of Reason and Intellect, Rationality==>Perfectability (Godwin).

Romantics incorporated more emotional, imaginative perspective on the mind, though still steeped in the central tenets of much of what was developed in the preceding century.

It is this sentiment that led to both the American and French Revolutions, and it is no coincidence that the writings of such figures as Thomas Paine, in particular (1776:  Common Sense  1791:  Rights of Men), were read by the leaders of both movements.

However, because it occurred much closer to home, both geographically (12 miles) and politically (direct deposition of a sitting king), the French Revolution had a much more significant impact on the British, whose leaders, like those of most if not all of the European governments of the time, had quite a bit to lose if the Revolution's republican ideals became as contagious as they feared they might.

"Fortunately" for them, the extremes to which the Revolution quickly turned made it easier for conservative forces (such as Burke, for example, as we will see this weekend) to condemn it.

Beliefs that motivated the Revolution also motivated celebration of Plain Folk in general (WW's outcasts, abolition of slavery, etc.)

It is interesting, therefore, to see the different forms, for example, that protests of slavery take, especially when comparing such diverse writers as WW and Equiano, or perhaps oddly, MWS and Mary Prince (mention essay, many possible interpretations of Frankenstein).

Moving away from politics (though perhaps not), it is also important to consider the importance of Nature, esp. in terms of the concepts of the Beautiful and the Sublime, solitude, imagination, all of which becomes decidedly Gendered.